Why I Yelled at the Kara Walker Exhibit

'Why I Yelled at the Kara Walker Exhibit '
NEW YORK, NY - MAY 10: Kara Walker's 'A Subtlety,' a seventy-five and a half feet long and thirty-five and a half feet tall sphinx made in part of bleached sugar, is displayed at the former Domino Sugar Refinery on May 10, 2014 in the Williamsburg neighborhood of the Brooklyn borough of New York City. The show opened today, is free to the public and will run until July 6th. (Photo by Andrew Burton/Getty Images)
NEW YORK, NY - MAY 10: Kara Walker's 'A Subtlety,' a seventy-five and a half feet long and thirty-five and a half feet tall sphinx made in part of bleached sugar, is displayed at the former Domino Sugar Refinery on May 10, 2014 in the Williamsburg neighborhood of the Brooklyn borough of New York City. The show opened today, is free to the public and will run until July 6th. (Photo by Andrew Burton/Getty Images)

“You are recreating the very racism this art is supposed to critique,” I yelled. The visitors lowered their cameras. Just seconds ago, they had been aiming their lenses at the sculpture of a 40-foot tall, nude black female sphinx. Many posed under its ass; some laughed and pointed at its vulva. As I watched their joking, my thoughts spun and I walked into the crowd, turned to face them and began yelling.

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